Frisco Beat: Powell Hotel

Speaking of Willeford, I owe my pal, boxing fan Brian Leno, for bringing to my attention the postcard of Sailor Tom Sharkey, giving an address in the Powell Hotel. As I detail in my book Willeford, the author of Cockfighter and Miami Blues remembered he stayed in the Powell in the period when he was writing his first novel, High Priest of California — but as I also detail in the book, Willeford’s memory was wrong after some forty years and he was working on another novel, most likely Deliver Me from Dallas!, during his stops in the Powell.

I wouldn’t think that Willeford would have known about Sharkey’s stay in the same hotel (in fact, from the youthful mug printed on the postcard, it’s likely enough that the pugilist resided in the hotel before the 1906 earthquake and fire took the original structure down — Willeford rented a room on weekends off from Hamilton Air Force Base in Novato in the early 1950s). Maybe the new bio of Sharkey can clear that up. 

As Brian also points out over several posts about Sharkey on the Two-Gun Raconteur website, the brawling sailor undoubtedly served as the model for Robert E. Howard’s series character Sailor Steve Costigan, whose pulp exploits rival those about Conan in number written. So, in the meta-fictional universe, you have the original of Sailor Steve hanging his hat in the same building where Willeford’s Private Eye named Jacob C. Blake later lives and maintains an office in the novel Wild Wives, a.k.a. Death Takes a Bride

Howard-Willeford. Sharkey-Willeford. The Powell Hotel is ALL Willeford.

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Posse McMillan: For Willeford Fans

Back from a run down to LA, what do I find in the inbox but a link sent by Leo Grin, with his headline “Reality One-Ups Willeford.” Yeah, you can’t really mention cockfighting without thinking of Willeford and Warren Oates — and this one is right up there with the moment Freddy Frenger encounters the Hare Krishna at the Miami airport.

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Tour: Third Printing

The other day copies of the new trade paperback state of The Dashiell Hammett Tour: Thirtieth Anniversary Guidebook gumshoed up to the door. Very nice — the colors on the covers are even brighter than on the hardback printing. Slick. Yeah, Vince Emery has outdone himself once again, but of course it didn’t take me long to notice what I now think of as a Vince-ism. On the copyright page it states that this is the “third printing.”

Third? I knew the hardback, the first edition from Vince, came out in 2009 in a print run of 1080 copies. Sometime later Vince popped the Kindle and a couple of other ebook versions into existence, which, however many copies may sell, don’t have anything to do with print in the classic sense. If this was “third,” I could think of two answers.

One: somewhere in there Vince reprinted the hardback state. Two, and my best guess: Vince was counting the Kindle as a printing.

And “two” was correct. Vince tells me he’s counting them that way because “we made revisions in each version.” The hardback is the first from Vince, no quibbling. Vince found three typographical thingies that needed to be switched, like a couple of items in the contents list that should not have appeared in italics. I found one regular typo on page 47 (if you’ve got the hardcover, you can test your proofreading skills). Those four got corrected in the Kindle version (but on the side, the name Willeford sometimes appears as Wille ford!).  Just before the paperback was going to press (an actual press, doing printing), another minor typo got spotted and was corrected. So, until someone finds any kind of typo we may have missed, the new paperback is the cleanest state — and my cleanest edition ever. I finally got a book without any typos in it. . . . 

Talking with Dennis McMillan a few days ago, I told him about the “third printing” deal, and Dennis — a book-book guy — was appalled. When I stopped into Green Apple Books on Clement a week back I spotted Kevin Hunsanger, and knowing he was interested in this kind of thing, told him about it, too. Kevin couldn’t believe it, either. Books, print runs, editions, states — that’s what some of us thrive on.

So, if you’re a book-book type, the foregoing is meant to inform you that the so-called “third printing” is in The World of Books the actual second printing. If you’re up-to-date and living in 2011, that antiquarian vibe may be foreign to you. I just wonder if on the day Vince corrects “Wille ford” for the Kindle if that’ll make the grade as another printing.

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Frisco Beat: 100, and Counting

During the throes of repainting the old website in the closing months of 2010, knocking together the current blog format, I had to sit on the sidelines and watch news and anniversaries pass by. The one I most regret not being on the scene to mention was December 24th — the one-hundredth anniversary of the birth of Fritz Leiber. I always thought Fritz got screwed in the present department with that particular advent.

People who’ve taken the four hour version of the tour may remember that we stop in front of 811 Geary near Hyde, where Fritz moved soon after coming to The City. In Literary World of San Francisco I cover every place Fritz stayed up to the date of publication for that guidebook, and he also gets coverage in the Hammett tour book because he wrote the essay “Stalking Sam Spade” while living in 811 Geary. He wrote the novel Our Lady of Darkness in this building, and had the hero living here as well. I used to visit Fritz fairly often in 1974 in his rooms in 811, when he was writing the first version of the story, using the title The Pale Brown Thing. He sat on the bed, a writing board propped on his kness, scribbling boldly in longhand on sheets of paper, getting perhaps fifteen to twenty words to a sheet before going to the next one. The holograph was typed later by his pal Margo Skinner.

Seemingly by coincidence, and with no fanfare that I heard of, early in Year One Hundred Fritz got honored with a plaque on his old residence. Some people doing research for the new Tenderloin History group told me on the walk on January 23rd this year that a wave of plaques were put up on various buildings in the neighborhood. During the tour I did for Valentine’s Day, February 14, 2010, I did not notice the 811 Geary plaque. By the time I did another walk, the Willeford Memorial Palm Sunday Tour, on March 28, it was installed on the right side of the entrance. Pretty cool, Fritz getting a plaque and doing his bit to make 811 Geary a National Historic Landmark.

On that January 23rd walk, by the way, were a couple with his-and-her Kindles. When we got to 811 Geary, and I blurbed Our Lady of Darkness, the guy took out his Kindle and in a minute had bought the novel. I’m pretty sure Fritz — one of America’s best science fiction authors — would have been delighted by that moment. From never having heard of Fritz or the title, to having it in his hands, ready to read. I remember one time Fritz and I were talking about catastrophic earthquakes leveling San Francisco, and I guessed that the downtown skyscrapers, almost all built on landfill, would just fall over. Fritz, however, didn’t think so — he figured the big buildings were engineered so well that they might ride out anything, and imagined a city where all the regular buildings crumbled to the ground and the skyscrapers towered over the ruins. Futuristic monoliths, witness to destruction.

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Posse McMillan: 60, and Counting

You’ve heard of Posse Comitatus, the version where you round up your gang and roar off after whoever needs to be run down. This on-going feature follows in the dust trail of Posse McMillan, rounding up news and views from the stable of writers Dennis McMillan assembled in his two gambits as a publisher of the hard-boiled, the noir, and the strikingly unusual. Plus news of old — he turned 60 last year — Dennis himself! Not up there with Floyd Salas, but edging along.

Dennis has been saying for months that he’s bailing out of publishing, so I just called him up to double-check. Yeah. Still the plan. Plus rebuilding and maybe selling off his fleet of gigantic cars, Packard Hawks and Hummers and whatever. Moving from his long-term base in Tucson to Europe, maybe — or perhaps Hawaii, or — short-term — Bisbee.

I can’t believe I just spent an hour plus hearing about repairing transmissions, but in there Dennis tossed out stuff I am interested in, with his strongest recommendation in the Rediscovered department for the works of Julian L. Shapiro, who wrote mostly under the name John Sanford, best pal of Nathanial West, whose wife wrote the screenplay for True Grit and helped The Duke finally nab an Oscar. Charles Willeford is the guy who plugged Sanford’s writing to Dennis originally, especially the novel The Old Man’s Place.

Looks as if this round as a publisher will end once Dennis gets out the book now in the pipeline, a guide to electrum coins being prepped by Joe Linzalone — one of those wild hair books Dennis does from time to time, kind of like The Brazilian Guitar. I figure it’ll be collectable, if it is the last thing Dennis puts his imprimature on. If Dennis comes back for a third round in the future, then it’ll be collectable because most of the copies will have sold to coin collectors, and completists needing one to finish their Complete Dennis won’t be able to find it much easier than a copy of The Brazilian Guitar.  

The various writers associated with Dennis are moving on — Dennis gives his strongest push for the new novel from Rick DeMarinis, Mama’s Boy. Says its the best from DeMarinis to date, approaching masterpiece level, one of the closest reads to Willeford he’s seen. So, you want to continue the Dennis McMillan Experience, there you go.

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Rediscovered: Floyd, the Big 8, Still Straight

On January 22nd a big bash was held to celebrate Floyd Salas hitting 80 years of age — his actual birthday falls on the 23rd, but people were confident he’d make it another day, so the party was on. For his 75th birthday I took along a copy of the DVD of Kingpin, the mini-series Floyd wrote for, and got his tag line “75 and still alive” as part of the inscription. This time I hauled out one of my extra copies of Tattoo the Wicked Cross and Floyd put the pen to it with “I’m at the Big 8 and I’m still straight.”

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Frisco Beat: Native Son

Editor Matthew Asprey got a copy to me of his collection of Jack London’s best tales set in and around San Francisco, including the complete Tales of the Fish Patrol — and “South of the Slot,” the London yarn selected by Peter Maravelis for San Francisco Noir 2: The Classics. A meaty compactly packaged book. If you don’t have these stories, a great intro to a city that was lost in the 1906 quake and fire, by the most famous author born in town.

The book closes out with London’s eyewitness account of San Francisco burning down after the ’06 — somehow I don’t believe I had encountered this document before. A must read for anyone with Suicide Club inclinations, the desire to be on the scene in the middle of the action. At one point in his report London stands in the middle of Market at Third Street, deserted as people flee toward Nob Hill. The cover photo used is shot east down Market at Third circa 1900, easily recognised today because of Lotta’s Fountain standing in the left bottom corner of the frame.

The preface by Rodger Jacobs blurbing Heinhold’s First and Last Chance Saloon, a London hangout, is unexpected, since a good chunk of it covers his work writing quick scenarios for porn movies. Asprey is equally current — not the sort of introductions I’m used to seeing in a Jack London volume. But what the hell, I guess this means Modern Guys like London, too, which is good news for Jack’s continued literary longevity.

Among other things Asprey mentions, he tracks down an unnamed Latino writer: “The novelist lived in a post-divorce ranch house rental. . . . I had read his five novels and two books of poetry, all about his crazy Mexican family and marriages. . . . Hadn’t placed a manuscript since 1994.” The sort of writer ripe for a Rediscovered survey. Asprey also spots Lawrence Ferlinghetti in a cafe. And:

Back in San Francisco, I took Don Herron’s enthusiastic, super-generous, long-running Dashiell Hammett Tour.

Yeah, that’s the way I think about the walk, too.

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Tour: Sunday February 27

Some people gave me that one month or more lead time I like, and asked for a walk. If interested, anyone can saddle up and join them for a tour one month from today on Sunday February 27 — open to all. Just show up. Noon. Four hours. Ten bucks. The usual. And it rolls, rain or no rain.

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Rediscovered: Notes on Wetjen by Ed Price

Sometimes the prolific pulp writer E. Hoffmann Price would make a single notation in a book from his library, other times no marks at all. One time I visited him in his home in the hills above Redwood City just as he was finishing adding more ink into a very beaten-up copy of The Rubáiyát, which looked as if it had experienced waves of annotations for decades. His copy of Albert Richard Wetjen’s Shark Gotch of the Islands falls somewhere in between. Another Wetjen title formed the basis for a movie which attempted to revive John Gilbert’s stalled career, but today is of interest to many of us mostly because it features the tough guy boxer-writer Jim Tully in a major role. A whole chapter on Wetjen appears in Price’s posthumously published memoirs, The Book of the Dead from Arkham House. These never-before-seen notes from Price are copyright © 2011 by J. Dan Price:

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Sinister Cinema: Then & Now

Okay, tomorrow (thunderous drum roll, please) Noir City opens in the cavernous Castro Theatre, and if you’d like to check out locations from some of the movies showcased in past years that were shot on location here in San Francisco, have I got the site for you! The mysterious CitySleuth has launched Reel SF, taking you locale-by-locale through D.O.A., Bullitt, Vertigo, Thieves’ Highway, Dark Passage, Woman on the Run, The Sniper, The Lineup and more — with more to come. San Francisco, movies, especially noir movies — check it out, and have fun.

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