Rediscovered: House of Bogart

Brian Leno keeps getting new autograph material all the time, every week, sometimes every day — he even has stuff crawling out of his immeasurable horde, practically attacking him.

Here he is with another episode pulled straight from the life of an Autograph Hound:

Thinking about tossing some books on the eBay block, I pulled down a couple of hardcovers by Algernon Blackwood, Episodes Before Thirty and John Silence. Good shape, no dustjackets.

Bought them many years ago and they had slipped my mind. Read them too, years ago, both great.

Anyway I opened the Episodes book up and see it’s stamped “House of Bogart” — with an inscription to a Lucy for being his Valentine — and in honor of their patron saint the gracious Algernon Blackwood.

Signed Guy and dated Feb 8 1924. The stamp also reads 545 Euclid Avenue Beaumont California. 

Doing research I found the house listed on the National Register of Historic Places. Built in 1924 by Guy and Lucy Bogart. Guy was a cousin to Humphrey. Very cool.

Humphrey apparently gave silent movies to the family but this treasure trove and many other things, books included I suppose, were looted by thieves when Guy’s daughter-in-law, who inherited the place, became too sick to do anything about it. Probably some of the looting was done by people posing as her friends. 

I think all this is very cool. The John Silence book is signed by Guy Bogart. Too bad Humphrey didn’t add his scrawl.

After the research I won’t be selling these — probably wouldn’t have anyway. Maybe when I kick off I could donate them back to the house.

One other kind of cool thing is the Episodes book has a little picture of Douglas Fairbanks Senior tucked inside. Kind of goes along with the silent movie Bogie bit, huh?

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Hammett: P. I. Sam, Reanimated

Brian Wallace keeps sending me the news that when the copyright expires early in 2025, Max Allan Collins has a deal with Hard Case Crime to pick up Sam Spade in (dum-dum):

The Return of The Maltese Falcon

Of course, at that point anyone can sit down and do a knockoff — some fast guy could pound something out in a week or two.

Do a paperback original series Spade Work: The Chronicles — with a new release every few days. Get a ghost writing staff pulled together.

Nothing says any of the pseudo Spades will be any good, but Collins fronted by Hard Case no doubt has a better chance of getting people to look at his sequel. Unless James Patterson enters the fray.

I’m not the audience for it. I thought the authorized Joe Gores prequel Spade and Archer was pretty bad (essentially, he was rewriting his much earlier novel Hammett, using and reusing the plot elements from Hammett’s Continental Op stories he liked best — laying out made-up background that was never needed).

But just think. In January 2025 we might get jumped by the likes of:

The Maltese Falcon Returns

The Maltese Falcon 2

The Maltese Falcon Redux

The Rerun of The Maltese Falcon

If you’re going to do it, I guess I’d prefer a more modern take on the idea:

Holy Shit! Look What I Found at the Thrift Store!

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Rediscovered: Another Green Something Breathing

Remember when bookseller and collector Paul Dobish discovered that the Stanley McNail poetry collection Something Breathing was bound in two variants of green cloth?

“Until recently,” Paul tells me, “all of the copies of the Arkham House first edition that I had handled were in either of two green bindings.

“I just acquired — because it had a review slip with it — a copy in a third green binding.

“The bright light of my scanner enhances the differences versus viewing the same copies in less bright light.

“In the two-book scan, the ‘old olive’ copy is on the left and the ‘new’ copy is on the right:

“In the three-book scan, the old ‘forest green’ copy has been added on the right (‘olive’ still on the left with ‘new’ in the middle):

“Having now found a third, is there a fourth? Fifth. . . ?”

Paul continues, “In a similar vein, I am up to six clearly different red (although some tend more toward purple-ish) bindings for Don Grant’s edition of Howard’s Echoes from an Iron Harp.

“Having six, is there a seventh? Eighth?

“For Buffalo Book Company I have four completely different color bindings of E. E. Smith’s The Skylark of Space.

“On the Hadley edition of Van Vogt’s The Weapons Makers I have seven different bindings — blue, yellow, orange-brown, and four different shades of red/purple-ish.

“For Crawford’s F.P.C.I. the collecting challenge sometimes seems to approach simply finding any two copies in the same binding!

“Arkham House generally preferred ‘basic’ black, but thus far all of the copies of Brennan’s Nightmare Need that I have handled have all been in the same ‘hot pink’ binding.”

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Rediscovered: And 50 Years Ago

Back in 1974 I had my first review published in issue 9 of the Harry Morris, Jr. zine Nyctalops, which will make it 50 Years Worth of selected essays and reviews when collected, crammed into two eBook LitCrit MegaPacks. Guessing, they’ll be 600 or 700ish pages each.

One ought to come out later this year. Two requires some new writing, but there’s no reason it can’t roll out by next spring or summer.

If you noticed, I’ve been missing from blog action a lot recently, so that’s the explanation. Digging through old files — all of them — figuring out contents, going over Word docs. Scanning.

I also got jumped by another round of COVID, as if I really needed a knockdown for a couple of days.

And as if that wasn’t enough on the plate, John D. Haefele and I finally — finally — are punching through a print book on Arkham House ephemera. I’ve mentioned the project several times over the years.

In 2002 for the October issue of Firsts: The Book Collector’s Magazine I did a list of 100 Items, assisted by Haefele and Paul Dobish and others.

I finished a list yesterday totaling 150 Items. We think we must have most of it.

We just had bookseller Terry McVicker check two major ephemera collections currently in his stock. We’ve devoted 22 years to the hunt. Sure, if we live long enough we could research for another 20 years, maybe dig up two or three more pieces.

Or maybe now we have it all.

Time to call it.

If you’ve got some Item of Arkham ephemera you think we ought to know about, something no one nowhere knows about, send in a brief description or a scan. Last chance.

The book will come out as soon as we can jump it through the hoops. I’ll make sure to tip you off. The people who can profit most from it will be booksellers, who will suddenly know what they’re selling. Others can simply enjoy the pretty pictures.

Arkham House Ephemera: The Classic Years 1937-1973. A Pictorial History and Guide for Collectors.

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Rediscovered: 50 Years Ago

Usually, I don’t bother going out of my way to meet someone or see something. Only a very few possible high points kick me in the ass.

I made sure I went to the screenings in Pacific Film Archive in 1997 for the complete films of Wojciech Has. Night after night, saw them all. And I was in attendance for The Saragossa Manuscript the evening Has himself spoke. Got to meet him, ask a couple of questions.

In Murfreesboro, Tennessee circa 1973 I went out of my way to get to the Ford dealership where Buford Pusser was signing big Walking Tall-style wooden clubs. Didn’t try to meet him — he was swamped — but did look at him, figuring that moment would be the closest approximation I’d ever come to seeing someone in the Wyatt Earp mode in person.

In the 1980s I think it was, I got to visit Ray Hicks in his home on Beech Mountain, North Carolina — Hicks, the legendary master teller of Jack Tales. Might not appeal to everyone, but for me it was big.

I’ve made some effort to meet a few writers — Fritz Leiber, Donald Wandrei — and on the side have met more writers than I could ever possibly remember meeting.

Occasionally I hear about something I missed that sticks a cutting pang of regret through me.

Yeah, I didn’t know.

If I’d known I could have showed up. . . .

Topping my short list of huge regrets is an event from fifty years ago. My first year in San Francisco. 1974.

On July 6, 1974 in the Warfield Theatre on Market Street they had the first ever preview screening of Bring Me the Head of Alfredo Garcia. I could have gone. But I didn’t hear about it. I didn’t know it was great (the audiences in the initial screenings hated it).

I wouldn’t see it for years, anyway. And I don’t think I heard about that first screening until I read the Warren Oates bio by Susan Compo.

But — I could have been there when Alfredo Garcia stepped into the culture.

Goddam.

Posted in Film, Frisco | Tagged , , , , , , , , |

Rediscovered: Willeford’s Cockfighter

Fifty years slips past when you’re not even looking. For example, how long ago was it that Warren Oates in Cockfighter hit the silver screen?

Fifty years? Correct you are.

Based on the novel by Charles Willeford. The blurbage for a 7p.m. showing in the Four Star Theater on Clement is pretty good, although I don’t notice them mentioning that Willeford himself acts in the movie. He plays the judge.

Got a quick note from Betsy Willeford telling me about it: “Kier-la Janisse wrote a book about the book and movie, titled Cockfight: A Fable of Failure — well researched, insightful and beautifully illustrated.

“In case you know anybody interested in going, she will be in San Francisco August 30 at the Four Star Theater and they will be playing the movie.”

One of the few movies based on Willeford.

Close to topflight Warren Oates — I mean, it’s no Bring Me the Head of Alfredo Garcia, but it’s in there. Oates drove up from Mexico to shoot Cockfighter immediately after they wrapped Garcia.

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Rediscovered: The Burnt Machens

Speaking of burnt books, the most notorious examples I personally saw in a bookstore, actually offered for sale, were several first edition Arthur Machen titles. Early stuff. Fin de siècle. Previous siècle.

I remember a brief talk with my pal Alan Warren — probably best known for This Is a Thriller, concerning horror episodes on 1960s TV such as Twilight Zone — who mentioned he’d been looking around in Serendipity Bookstore recently.

“Do they still have The Burnt Machens?”

“Yes, they’re still there.”

The Burnt Machens became a legend in our circle. Obviously a major Machen collector had some kind of housefire. And instead of shoveling them out, they ended up for sale in a bookstore.

I remember the mild shock I experienced when I first saw them on the shelf. Primo Machen firsts, which I couldn’t afford in that era. I was curious to check the prices put on them.

They weren’t cheap.

But they were burnt.

Serendipity was close to being a classic of a bygone era. When I finally went in its doors on University Avenue in Berkeley, I was a happy book browser. They stocked all kinds of old books most stores by the 1990s had given up on. Whole sections on rolling casements of poetry chapbooks. Books you weren’t going to see anywhere else.

The owner, Peter Howard, was something of a legend — apparently he was a major player in the move into “hypermodern inflation,” where the titles of fairly new writers such as Stephen King were nudged up until the prices were on a level with highly collectable books from decades before. Maybe they couldn’t push a Kingie into a price range with Dickens or Faulkner, but they jumped recent books ahead much more than you’d expect. Created a collecting surge, a vogue.

Personally, I couldn’t stand Peter Howard. What a jerk. Fortunately, he had some great assistants, so if you explored the offerings on a day he wasn’t there, it was cool.

He had a policy of not putting prices on books — or if they had some outdated price on them (he had far too much stock to go through and update anything), he’d reprice them when you brought them to his desk.

I went in one time with Dennis McMillan and Howard pulled his on-the-spot repricing technique. Dennis left the books on his desk and exited the building. He was pissed.

Yeah, that practice was a No Go. I recall (or think I recall — I’d swear to the Serendipity incident, but this one I could easily be imagining) one day when Dennis and I went into the legendary McDonald’s Bookstore in the first block of Turk Steet on the edge of San Francisco’s Tenderloin.

McDonald’s was what I imagine many junk bookstores once looked like, back in the days of Vincent Starrett prowling the offerings in Chicago. Cavernous long room. Bookshelves that seemed to rise up at least twenty or thirty feet. Stuffed with items. Books stacked in huge piles on the floor, so some areas were hard to navigate.

You just knew something great had to be there.

But you’d never find it.

McDonald’s seemed to make most of its money selling skin mags kept near the cash register next to the front door.

Dennis found something he’d buy, however, took it to the register. And the guy verbally repriced it. Dennis turned and walked out the door.

McDonald’s closed eventually, and sometime after Peter Howard died Serendipity went belly-up. I don’t know what I was doing at the time, but I missed the close-out sales where the remaining stock, finally, was dirt cheap.

I sometimes wonder if The Burnt Machens were among the last items left.

And did they bring in as much as five bucks each?

Posted in DMac, Frisco, Lit | Tagged , , , , , , , , |

Rediscovered: Yet Another John Hancock from Arthur O. Friel

Autograph Hound Saturday sneaks up on us again. . . .

As I predicted the noted if not maniacal autograph collector Brian Leno was kind of jealous of the inscribed book by Arthur O. Friel — one of the top writers for the pulp Adventure — that I eased into the Hound Sessions without telling him about it. Much earlier I ran a signature from Friel from Brian’s collection — not an inscription, but not bad.

Leno told me he’d feel even worse about someone having an inscription when he didn’t — except that he had another Friel auto.

Of course he does.

This one comes on the cheque from Adventure to pay for the story “Tiger Trap.”

Nice. The tale behind the acquisition, however, is somewhat commonplace.

Brian tells me, “Well, I was alerted by eBay that a Friel signature was out there and at the same time it alerted me that a Carroll John Daly signature was also available.

“Both were signed checks for payment from a pulp and both were from the same seller. So, being perhaps just a bit fanatical I bought them both.”

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Rediscovered: The Burnt Shadow

Speaking of The Shadow, the excellent new book The Shadowed Circle Compendium reminded me of a trip a few years ago, when I stopped in on Dennis McMillan during a period he lived in Gallup, New Mexico.

Dennis had access to a small but packed basement book warehouse, and could sell me stuff if I wanted it.

The only specific title I recall that caught my eye was Will Murray’s The Duende History of The Shadow Magazine — one of the first and still ranked among the best books on the pulp avenger.

Problem was that this copy had been caught in a fire at some point. The book survived complete destruction. It was intact. The horrible edge scorching didn’t quite get all the way in to the text. But it smelled like a burnt house.

I offered five dollars for it. A nice copy could go for a hundred, even two hundred or more. But this copy was burnt.

For five bucks I was willing to keep it sealed in plastic, open it up for reading only outside on the patio, handle it with disposable nitrile gloves.

I think Dennis was insulted. The book was a collectors item!

Well, yeah. But it was burnt.

Posted in DMac, Lit | Tagged , , , , |

Rediscovered: Know The Shadow. . .

Check out that great Chinatown alley.

Can’t you just see Lon Chaney as a vicious legless Lord of the Underworld creeping over the stone bricks, enrapt in savage dreams of subjugating the city?

But Chaney kept his lair in San Francisco’s Chinatown, circa 1920, and the picture above is Charles Lane, 1938, in New York City’s Chinatown.

The mean streets turf haunted by The Shadow.

I’m a fool for the city, the 1920s Frisco gumshoed by the Continental Op, the London of Sherlock Holmes, evocations of a near mystical past.

Would film noir appeal half as much if it didn’t catch all those glimpses of lost cityscapes?

And so the extensive spread of historic photos in “The Shadow’s New York” — giving the real world views of where those pulp adventures took place — instantly seized my eye and automatically became my favorite feature in The Shadowed Circle Compendium.

An omnibus of 17 articles taken from the pages of the first 7 issues of The Shadowed Circle, the latest magazine devoted to the mysterious crimefighter, this book also includes 6 all-new pieces. I realized even on an initial look that if you knew nothing about The Shadow, you could poke around in it for awhile and come out the other side completely conversant. Blazing twin automatics. A run of 325 pulp issues (providing lots of full color to jump it up). Under the house name Maxwell Grant the prolific Walter B. Gibson writing 282 (!) of those short novels. The radio show. Orson Welles. Comic books (more color to grab the eye). History and mystery.

“On the Set of The Shadow” by Will Murray is another highlight — his memoir of being hired by a film mag to cover the making of the 1994 release The Shadow starring Alec Baldwin. Lots of detail. Ian McKellan comes across as a cool guy (he knew the bust of The Shadow they were manufacturing needed a hatband — of course it did). I liked the movie pretty well, give or take a few elements. But even my maniacal Shadow fan pal John C. Moran agreed with me that the Shadow effects when the caped avenger comes out of the darkness, automatics bucking in his black-gloved hands, were — well, definitive.

“The Shadowed Seven” may be the most useful feature of the Compendium — where 21 writers, scholars and fans are limited to 7 selections for their top Shadow stories. Among them James Reasoner, a modern neo-pulpster from Texas I encountered at a Robert E. Howard Days celebration in Cross Plains, Texas. James does a lot of novels under various house names and when I met him had around 200 novels — mostly paperback originals — under his belt. Last time I heard, a few years later, he was hovering around novel 400. By now, who knows, he may be over 500 — or 600. I get tired just thinking about it.

I’m going to go over the selections again and again, taking notes. I’ve read at least 40 or 50 Shadows. Every now and then I do a little binge, and I ought to make sure I cover the top-rated episodes. Although when I read “Crime, Insured” I was confident I’d reached a peak — The Shadow tracked to his sanctum sanctorum by gangdom and besieged. Whoa. But if more are out there just as good, I need to track them down, bring them to my sanctum sanctorum, and besiege them — maybe I’ll even wear my slouch hat.

The Shadowed Circle Compendium can be had off Amazon, but you can get copies cheaper if you order direct from the magazine.

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