891 Post: The Hidey Hole

On September 20, 2009 I took a shot of the hidden compartment Bill Arney had — mysteriously — set in the floor of the Sam Spade apartment.

I guess he figured, Why not?

Out of all the Herculean effort Bill put into preserving the place and recreating the Hammett era, the floor had to have been his masterwork.

Who even thinks about a floor, right? You stand on it. Transaction finished.

But during his seventeen year stint as Inhabitant of the Apartment, Keeper of the Shrine, and so forth, the floor jumped up in Bill’s face.

Earthquake retrofit work was going to be done on the entire building. Steel beam supports, the works.

They told Bill they were going to rip out most of the floor.

“And then what happens?” Bill inquired. “Do you put it back””

Well, no.

They’ll rip up the original woodwork, haul it out, pop in some plywood when ready, cover it with wall-to-wall carpeting and it’ll be very nice.

“Noooooooooooooooo!!!” — or something like that — Bill said.

An architect, an extremely detail-focused hobbyist (hand-painting tiny figurines from the Napoleonic Wars and the like), Bill proceeded to pull up all the flooring. He hand-numbered and cross-referenced each and every board.

And when the retro work was done, he put them all back in, in order.

Some shorter pieces ended up going in the west end of the room, on the floor below the windows overlooking Hyde.

As he was placing those last pieces, Bill realized he could make a hidden compartment, and he did.

Bill showed the hidey hole to the restoration crew hired to polish the place up when he moved late in 2009. He said they looked, with some minor oohs and ahs.

Bill glanced at me when he was telling the story and asked, “Do you know what they did with it?”

“Nailed it shut?” I said.

“Yeah,” Bill said. “They nailed it shut.”

Posted in Dash, Frisco | Tagged , |

891 Post: Nicotine Yellow

The corner outside the door into the kitchen in the Sam Spade apartment shows some of the roughest rough stage work as Bill Arney labored to get the place ready for a new inhabitant.

You can see some of the kitchen door to the right, and it was here that Joe Hagen scraped merrily away until he discovered another paint color original to Hammett’s stay in the late 1920s.

Look back to 2005, and find out how Joe entered the restoration fray:

“My involvement started one afternoon at Bill’s when he mentioned that the Friends of the Library were placing a plaque in a couple months and he would have wished that he could have the wood refinished before then.

“Now at this point he had only done some work around one door and maybe one of the windows. 

“Bill was working full-time and I between jobs, and having already had a couple of beers, I  offered to finish the job if he provided the beer while I worked!

“I was using a citrus-based paint stripper and between that and the Coors that I was using to sustain myself during this, I coined the term Maltese Mimosa.”

And the other color than Cherrywood Joe found under layers of paint on the kitchen door?

“Oddly enough, the color of the paint for the door was Nicotine Yellow! Bill was exceptionally happy with that.”

 

Posted in Dash, Frisco | Tagged , , |

891 Post: Minwax Gel Cherrywood

As a little Xmas present — and to commemorate the one-year anniversary of the death of Bill Arney on September 28, 2021 — let’s take a look into the Sam Spade apartment in 891 Post Street.

The date was September 20, 2009. Things are in disarray, as after a decade and a half Bill Arney is preparing to leave the rooms. He’s working to complete most of the restoration work he’d begun seriously in 2005, when a plaque was placed on the front of the building to acknowledge that Dashiell Hammett once slept here.

In the shot at top I display the key that eased me into the apartment to take a few pics — the window behind me obviously showcases finished staining, while the large baseboards need more work. The walls need paint.

This window on the north face of the building overlooks Post Street. Off to my left just out of sight is the doorway into the tiny kitchen. Just visible to my right is the period padded rocker Bill acquired late in his tenancy, trying to match the descriptions of furniture in The Maltese Falcon.

Over the years Bill secured other authentic items — from light switches to a Murphy bed — as longtime tenants moved on and redecorators stripped the apartments down to spray paint them white. He mentioned that he got the last Murphy bed left in the building.

In the shot below, the bed — folded up into the wall — is on the left. With the mirror. This wall is across the room from the couch and the northside windows.

In the next image the Murphy bed peeps out on the bottom right, with a good view of the living room door (a.k.a. the bedroom door) that leads to the hallway with the bend in the passage that ends up at the main door of the apartment.

A longtime occupant of the building, Mark Murphy, reports that “it was Minwax Gel Cherrywood stain that Bill used on the baseboards and crown molding, as well as door jambs and window mullions, etc. I remember pretty vividly Bill talking about this on more than one occasion. Amazing to me that any product on this planet can still be got for a mere $3.78!”

Mark also tells me, “I wasn’t anywhere near as involved in the Hammett Suite Restoration Project as Joe Hagen was. As I recall, it was during a time when both Bill and Joe were out of work, and each spent many a day and night scraping, sanding, heat-gun melting and whatever other techniques were available to remove eight or nine decades worth of accumulated paint from the woodwork in that room.”

In his own apartment, Mark used the same stain they had uncovered after all the scraping. “They were much more careful than I was in my room, as I got a little overly aggressive at times and put some rather unsightly gouges in the wood.

“And then to have the hired restoration team just coat it top to bottom in that dark walnut color that almost completely hides the natural beauty of the wood!

“According to research I had done, California Redwood would have been the cheapest and most plentiful wood available at the time.

“Kind of heartbreaking, even if the contractors involved did do a really good job on the restoration in general. They just didn’t seem that concerned with historic accuracy.”

Posted in Dash, Frisco, Lit | Tagged , , , , , |

891 Post: Enter the Apartment

On September 20, 2009 I gumshoed up to the gate of 891 Post. Corner of Hyde.

In the night, the plaque we’d put on the building early in 2005 to commemorate the residence of Dashiell Hammett gave off a dim reflection.

I used the key Bill Arney had entrusted to me to enter the outer foyer.

I crossed the lobby and in the elevator punched my ticket to the top floor.

I entered the rooms, heading down the short front hallway to the bend in the passageway — decorated with an image of Howard Duff as Sam Spade from the radio — and turned left toward the studio. . . .

Posted in Dash, Frisco, Lit | Tagged , , , |

Frisco Beat: A Pop in the Ha-Ra

Last month I mentioned that the staining on the woodwork in the Sam Spade apartment in 891 Post is just wrong — it looks very, very nice, but it’s wrong.

Although I was pretty casual about it, I did think about doing a little documentation when Bill Arney was still inhabiting the place — and in the thick of restoration.

The date was September 20, 2009.

Before heading in, camera sometimes flashing and sometimes not, it seemed appropriate to stop in The Ha-Ra Bar on Geary Street, about a block from my destination, for a pop. Make the mission kind of official.

Manning the stick was the legend that is Carl the Bartender.

Posted in Dash, Frisco, Lit | Tagged , , , |

Sinister Cinema: Superman Live

Autograph Hound Super-Sunday once more, and from his extensive files of John Hancocks stacked on top of John Hancocks, Brian Leno sends in Kirk Alyn — the first actor to portray Superman in live action.

Brian noted, “Am enjoying the Warburton stuff. I’m jealous. Talking to some drunk derelict at the bar is not quite the same as you conversing with The Tick.”

Brian and I were chatting and I did a quick run-through of movie people I have met, from William Forsythe to Jackie Cooper. Didn’t count stars I saw but didn’t meet — such as Hugh Jackman opening his one-man play in San Francisco. I saw him for more than an hour but didn’t meet him.

Obviously if I went to Comic-Con a few times I could pile up the brief encounters, but my way is working well enough for me.

The only actor I mentioned to Leno that I saw in such a scenario was Kirk Alyn, at a comic con in New York City, early 70s. Handsome guy, tall, and he gets counted because we were the only two people on an elevator. Didn’t talk. Nodded.

What the hell, the first Superman. I’ll count him.

(Looking up dope on Alyn just now I was almost shocked to see that he had been married to Virginia O’Brien. While I appreciate Alyn’s cultural standing, Virginia O’Brien is one of my film favorites. Master of deadpan. Didn’t get to do enough movies.)

“Dug through my movie serial autographs and found Superman’s,” Brian writes, “since you said you saw him in an elevator, not a phone booth. Thought you might get a kick out of it.”

Brian was thinking that he himself had seen practically no celebrities — then he remembered some “I saw, didn’t meet.

“Went to a boxing match in Vegas years ago and Mr. T was there. Redd Foxx showed up with a young beauty on his arm. The best thing was Bo Derek. A beauty. Truly a Frazetta-like girl.

“Redd Foxx walked by where I was sitting and everybody started hooting and hollering, Hey Redd! He stopped and waved, seemed like a pretty good guy.

“Mr. T of course had more gold on him than a pirate ship.”

And by the way, Patrick Warburton got to play Superman too, in those commercials with Seinfeld, but they made him a cartoon. He could have played it live.

Posted in Film, Frisco | Tagged , , , , , , , , , |

Posse McMillan: A Jim Nisbet Memory

I cannot say that I knew the late Jim Nisbet well — went to his house in one of the alleys off Hayes and Laguna two or three times, mostly because Dennis McMillan happened to be visiting at the moment.

Hung out with him and other Posse McMillan writers Dennis talked into doing panels for the Tucson Book Fair in March 2009.

That’s about it.

But Nisbet had one tic or quirk that just burned itself into my brain, and I find it morbidly fascinating to brood over to this day.

Believe I first noticed it when I was reading his 2007 novel The Octopus on My Head, set in San Francisco — a city where Nisbet lived for years. I’m not checking the text again to get the details precisely correct, but here’s the gist of what I remember:

The main character in the novel lives pretty much where Nisbet lives, one of the several alleys off the intersection of Hayes and Laguna. He’s driving out to a location around 46th Avenue and Geary.

You can make that run pretty much in a straight shot — say, move one block south on Laguna to Fell Street, kind of a little inner city freeway. Turn right.

You can run out Fell into Golden Gate Park, drift over to Fulton Street on the north side of the park and turn right on 46th Avenue (or whatever the avenue was in the book).

You could do Fell to Masonic, turn right, go up to Geary and go left. With any number of little movements possible — but all leading like a line from Point A to Point B.

I was reading along and soon noticed that the Nisbet car has wandered over to Dolores Street, several blocks off in the wrong direction. With his characters talking all the while, the car goes out Dolores, up Clipper Street, kind of moseys around in the vicinity of Laguna Honda Hospital, and eventually goes around from the south side of Golden Gate Park to the north side, where they want to go.

Completely, totally out of the way.

I thought, okay. . . . Well, maybe Nisbet wanted time for his characters to chat for an hour or so. . . . A ten or fifteen minute trip in a straight line wouldn’t have done it.

At the Tucson Book Fair someone (Dennis, I think) mentioned that going back to California by way of Lake Havasu would involve some kind of slowdown. Road work, something.

I’ve been back and forth between California and the Southwest, and Texas, many times and don’t recall ever getting near Lake Havasu, so I wasn’t worried about it.

But then Nisbet volunteered a route to avoid any problems. I listened.

Listened some more.

He began talking about coming along Hwy 80 toward the Bay Area from Donner Pass. . . .

“Wait a second,” I said. “How did I get on the wrong side of the Sierra Nevadas?”

I can’t remember ever meeting anyone worse on directions. And the trick is that Nisbet had his own sailboat — I have to believe he got out of the bay into the Pacific on occasion, and going the right way out there just has to be harder than turning left at a corner.

Doesn’t it?

Think it was in Snitch World from 2013 that Nisbet irked me the most. I got to where I could ignore the meaningless mélange of streets, as if someone who’d never been in San Francisco was knocking out the story.

But in that novel Nisbet mentions Hank’s 500 Club — a notorious black bar on the corner of Haight and Fillmore — and places it on the wrong corner!

Come on. The 500 Club. Would be at 500 Haight. Northwest corner.

When I told Kent Harrington, prolific Posse McMillan scribe who knew Nisbet well, about this post he asked that I “please do one for me.”

Kent adds, “His mistakes were chock-a-block with good intentions and even when sober he couldn’t tell the difference between Market Street and Geary Blvd.”

Posted in DMac, Frisco, Lit | Tagged , , , |

Sinister Cinema: Patrick Warburton

Onscreen in The Woman Chaser, Patrick Warburton plays one of the most unlikable characters you’ll ever meet — before and after the movie, though, you’re talking to one of the friendliest people you’ll find in the bar of the Alamo Drafthouse or pretty much anywhere else.

Hands shaken, not a minute passed before we were chatting about The Tick. I told him it is one of my favorite shows — not a lie. One nine-episode season, got the boxed set.

I even liked the reboot with Peter Serafinowicz in the big blue bug outfit, where they squeaked out two seasons. (Serafinowicz first became an entity for me as the naked flat-mate in Shaun of the Dead, and recent highlights include his bit in John Wick 2 and Spy.)

While Patrick got an EP credit on the reboot, he told me he’d really wanted to reprise the role of The Tick himself.

Man. My heart sank a little. Like finding out some thoughtless producers had booted Clayton Moore out as The Lone Ranger.

Supposing they wanted a younger actor at that moment, Patrick pointed out that you’ve got the blue costume with muscles and antennae and all you see is the rectangle where the face appears. They could have worked it. Jeez, they could work it now with another run.

The Return of The Tick.

I mentioned the Netflix show A Series of Unfortunate Events, in which Patrick appears as the “author” of the adventures, Lemony Snicket. He said that Daniel Handler, a.k.a. Snicket himself, came to a previous screening of The Woman Chaser in San Francisco a few years ago and when the deal was being worked out told them he wanted Patrick to play Snicket. Netflix had other ideas for the role. Snicket himself said, no, I want Patrick Warburton.

One thing leads to another. And also, when you’re slapped, you’ll take it and like it.

While Patrick didn’t seem to mind any objectification he received in his performance as Richard Hudson, he did tell me about his two early Dragonard movies, from 1987 and 88, and seemed to still nurse degrees of mortification over those — apparently ranked up there with the worst movies ever made.

The plus side to shooting the Dragonards, aside from some money and getting his foot in a door, he got to work with Oliver Reed.

Reed wanted him to start drinking with him in the morning on the set, but Patrick begged off until evening. Then he drank with one of the most famous drinkers in cinema history. Cool.

And Patrick got to see Oliver Reed’s tattooed dick — eagle pouncing with claws extended over the head of the displayed member — which Reed liked to haul out when he got into his cups.

Since he began drinking as soon as he got up, I wonder, How many people saw that tat?

And after the fact, I realized I could have asked Patrick about his hard-boiled flick Rock Slyde. But it didn’t come to mind among the crush of other chatter.

Posted in Film, Frisco, Willeford | Tagged , , , , , , |

Sinister Cinema: The Producer

Willeford said he sent his 1960 novel in under the title The Director, before Newsstand Library changed it to The Woman Chaser.

The director for the movie didn’t make it to this screening (I heard it may have been an option), but the producer. . . . I bet Joe McSpadden represents his movie at every major screening that comes along. A hero.

Image at top, left to right: me, Joe, and Woman Chaser star Patrick Warburton.

After it was all over, I remembered that I wanted to ask Joe about a movie he described when I first met him at the Pacific Film Archives showing in 2009. Joe doesn’t do a lot of producing, but he’s had his hand in here and there.

I thought he had mentioned a Western they were planning to film in Texas.

I’d forgotten Willie Nelson was attached.

West of Texas aka Badlands Baldy,” Joe told me, “died on the vine because Willie Nelson’s name didn’t mean as much as we had hoped. . . .

“The writer and lead actor, Sonny Carl Davis, and I are still in touch, but no one (it seems) wants to make a family Western with those names. . . but you never know.

“You can check out SCD in Richard Linklater’s Bernie, which got a lot of attention for Sonny — he made a campaign spot for Beto O’Rourke as that character.”

Posted in Film, Willeford | Tagged , , , , , |

Rediscovered: For the Q&A

Toward the Q&A following the screening of The Woman Chaser with Patrick Warburton in the role of Richard Hudson, I poked around in my book Willeford for any tidbits of info on the novel — a Paperback Original released by Newsstand Library in 1960.

I even pulled the first edition off the shelf to see if it was signed. Some of my Willefords are signed or inscribed, some not — there’s a better chance if the book was sent to me in the mail. If he gave me a book when I visited him in Miami, I didn’t think to ask for a signature.

I found the PBO of The Woman Chaser inscribed to me on the inside front cover — signed “Charles Willeford” — no date.

The inscription reads: “I think Richard Hudson is the most unlikable character you’ll encounter this year.”

I suspect the audience watching the Warburton flick in the Alamo Drafthouse would agree.

Posted in Film, Lit, News, Willeford | Tagged , , , |