Rediscovered: A Review of an Eldritch Review

Over on the DMR blog Deuce Richardson just popped up a review of John D. Haefele’s most recent book (and presumed magnum opus) Lovecraft: The Great Tales.

He wrestles with the complexities, and I suppose my fave pull quote would be “Haefele wasn’t looking to get to first base with this Cyclopean tome. He swung for the Lovecraftian fences.”

One of the Amazon reviews for the book by Tom Krabacher also grapples with the scope and scale of the study, but my personal favorite lines come from another Amazon bit from Jeffrey Scott Sims, where he notes: “A pleasure to read, its great length just flies by. I didn’t want it to end.”

And as a footnote to the Deuce review — keeping in mind that any single review couldn’t possibly cover every nuance of the text — the noted book and pulp collector Kevin Cook just mentioned to me that “Deuce missed what I consider the seismic revolution in Lovecraft studies, with HPL changing his whole style of writing after reading The King in Yellow — after Joshi has proclaimed for years that Chambers had ‘little’ effect on HPL.”

Yeah, one angle and another and another in those 700-plus pages. Who knows what specific insight will most resonate with any given reader?

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Rediscovered: Endless Autographs

The steady flow of autograph materials over the last few days has plunged Autograph Hound Brian Leno even deeper into John Hancockian reveries, but then he’s never quite free of such musings. . . .

“Of course I’ve been reading with enjoyment the autograph stuff on your site. For what it’s worth I’ve seen a lot of Bradbury inscriptions where he uses the exclamation mark. So my feeling is John! has a keeper. (In the same fashion, I have a Clint Eastwood signed photo inscribed to Brian, but not this Brian.) 

“When I saw the reference to Ray Faraday Nelson and Roy Batty it triggered my memory and I realized I needed a Nelson signature.

“Not a lot of them out there but still pretty easy to find, and obviously nowhere near the cost of PKD.

“So I have a signed Ray Faraday Nelson ambling its way to my post box.

“It will sit proudly next to my PKD signed letters book, and I wonder if Nelson ever saw or experienced all the cool things Roy Batty did.

“Thanks to modern technology I’ve been able to listen to the wind whistling on Mars, but my man Roy has me beat all to hell.”

Thus, Leno.

Me, while I am nowhere near the throne of an autograph king of his ilk, in this niche I have him beaten (for the moment). I have quite a few inscribed R. Faraday Nelson books, probably most dating from around the period I enlisted Ray to essay the part of Fatty Arbuckle in a little role playing game I honchoed.

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Rediscovered: More Bradbury?

For an Autograph Hound Quick Follow-Up John D. Haefele sends in:

“How about this one, which I found in a bookstore? I doubt it is actually Bradbury’s signature — & the ‘John!’ is purely a coincidence.”

I don’t know, the John Hancock here to me looks much like the authenticated “Ray Bradbury” in Krabacher’s copy — authenticated because Krabacher was standing there watching Bradbury scribble away.

And don’t forget that Haefele didn’t even know he had a Peter Straub signature in another book he picked up.

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Rediscovered: Bradbury Enters the Fray

Autograph Hound Super-Sunday returns, carried by a morbid wave of interest in the indecipherable!

Tom Krabacher dropped a note to say, “Saw the Charles de Lint signature on your blog. Kevin’s explanation that de Lint’s autograph is actually just his initials goes a way toward explaining its compactness, but it’s still unintelligible.”

Not to be left out of the action, Tom remembered an illegible Ray Bradbury in his own collection, his “almost-unintelligible Bradbury signature.”

Yet Tom concedes: “Admittedly not as bad as de Lint’s, since with an exercise of the imagination you can sort of make out the name.”

As I squint at it I’m seeing more of a Ray F(araday) Nelson emerging — longtime local Bay Area science fiction writer who served more or less as the model for Roy Batty in PKD’s Do Androids Dream of Electric Sheep? — a.k.a. Bladerunner.

How about you?

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Rediscovered: Initial Signatures

The noted book and pulp collector Kevin Cook provides a footnote or two on the most recent signature covered in our ongoing surveys of the good, the bad, and the ugly John Hancocks riding the range:

A comment on the Charles de Lint “signature” on your blog.

De Lint has never actually signed his full name.

Much like George Pelecanos he has always used initials, but the “CdL” has grown sloppier and sloppier.

Still, what I look for when we deal with the poor signatures was just that, signatures, not guys who initial their books.

If initials counted, then Pelecanos would rank as the worst ever because you can hardly distinguish a “GP” in what he writes. He also will not write out his name, as I asked him to do at The Mysterious Book Shop, saying “That’s not my signature. I initial every book.”

I did not bother arguing with him about the definition of a signature. You’ve met him, I gather. Very deadpan, dry sense of humor although he will crack a smile now and then.

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Rediscovered: de Lint via Swann

Aha! A Sudden Autograph Hound Super-Sunday is upon us!

A week or so back Brian Leno — the most maniacal Autograph Hound of my acquaintance — mentioned he was digging around in his holdings and came across a couple of those charming Thomas Burnett Swann fantasy paperbacks of yesteryear, perhaps with Gray Morrow covers or possibly George Barr. Brian has had them in hand since they came out in the late 1960s or 70s but hadn’t gotten around to reading them. No doubt his To Be Read pile would dwarf the library at Alexandria.

Yesterday he let me know: “I read a Thomas Burnett Swann for the first time the other day, and it was okay. He’s a good writer, will try more. Just got in the mail today an omnibus of his Minotaur series, also has a critical bibliography and biography of Swann, so I’m looking forward to it. Always need to know more about the author.”

But, Brian notes, “I remember when you had a few blogs on signatures that were hard to decipher. I want to nominate Charles de Lint for an award.

“Top line The Minotaur Trilogy. Looks like something an untalented kid would mark up a sidewalk with, and that’s being charitable.”

So, is the de Lint John Hancock above worse than Peter Straub? Worse than James Ellroy? You decide.

The closest my path came to crossing de Lint’s was back in the 1980s when he and fellow Canadian Charles R. Saunders were editing a zine together — each issue had a different title. Beyond the Fields We Know was one. I showed up in Dragonfields with an article about pastiches of the Robert E. Howard character Bran Mak Morn, but I only dealt with Saunders as the issue went toward press.

Thomas Burnett Swann I never exchanged notes with, either, but several of my pals such as Donald Sidney-Fryer did — and Fu-Moran of The Romantist had quite a little correspondence going with him. I was then and remain under the impression that Swann was gay, but my predominant memory of Fu telling me about their letters was how Swann wouldn’t stop talking about the actress Stella Stevens. He was a HUGE Stella Stevens fanboy.

As Fu and I thought at the time: Go figure.

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Rediscovered: The Long Goodbye

Obviously Brian Wallace wants me to pay more attention to Chandler, because he’s been bombarding me recently with links — heavy on The Long Goodbye.

Of possible interest to some people would be a “graphic novel” (or fine arts) treatment of Chandler’s last great novel. The artist Klaus Kremmerz agrees with my own long-standing opinion, that you can find some Marlowe in Bogie and the Bob Mitchum versions but that the Elliot Gould take on it off Altman and screenwriter Leigh Brackett, well, sucks. He

was also inspired — or uninspired — by watching Robert Altman’s film adaptation of The Long Goodbye right after reading the novel, “which disappointed me immensely,” he says. “It’s completely different from the novel, especially the ending.

“I imagine Chandler himself would have been very disappointed. On the other hand, I didn’t want to rewatch the movie with Bogart or Mitchum so as not to be too affected.”

And today Brian pops in a link to local crime writer Mark Coggins diving into the manuscript pages of the novel held in the Bodleian Library, looking for cut scenes and polished lines as Chandler created the final “pure text” — extremely well done, you don’t have to be a deep textualist to appreciate the way he covers it all.

Plus Coggins begins with an evocation of Bruce Taylor and the San Francisco Mystery Bookstore of yesteryear (legendary, in the right circles).

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Rediscovered: The First Strut of the Logo

Before John D. Haefele recently released Addenda 2 to his Cimmerian Library booklet, apparently the Hesperia Press cat butt logo had appeared only on Lest We Forget: August Derleth on the Subject of H. P. Lovecraft (Hesperia Special Issue No. 6), published by Battered Silicon Dispatch Box in 2009.

He informs me, “I’ve attached the back cover of its only previous published appearance.”

Haefele says that in his opinion, “The cat butt only works when it is reproduced about the same size of the Necronomicon Press logo, or smaller.”

Well, I’d say works best — after all, it was designed to be a tart logo to parade in front of the snobs in Lovecraft fandom.

Even a blown up version hits you with that instant Cat Butt! and all it conveys.

The extremely limited print run of 10 copies for the second Addenda are going or gone out into the world. For serious scholars of Derleth and Arkham House and Lovecraft, Haefele mentioned that “I have an e-version for anybody who wants it just for the info.”

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Rediscovered: Return of the Logo!

On July 29 I found a little packet in the mailbox, with the completely unexpected second addenda to John D. Haefele’s working bibliography of August Derleth enclosed.

The bibliography appeared in 2006 as the third entry in The Cimmerian Library’s series of chapbooks. Limited to 100 copies.

Cleverly channeling Derleth and his legion of Arkham House ephemera items, in 2008 Haefele added Addenda 1 under the Cimmerian Press imprint and helmeted skull logo. As I’ve said elsewhere, no copy complete without one.

But when I glanced at the back of Addenda 2 I was surprised to see a new logo in place.

Funny as hell.

The only thought that could crawl to the surface in my stunned brain was Cat Butt!

On its own, a quiet riot. (And an excellent logo, as such.)

Signifying that Addenda 2 sees release under Haefele’s old Esoteric Order of Dagon imprint of The Hesperia Press, I asked Haefele if he’d just come up with it. I have seen a few but by no means all issues of Haefele’s EOD zine and didn’t remember a logo, much less this logo.

“I created the Hesperia Press cat butt in 2001,” Haefele tells me, “when celebrating in the EOD the achievement award won that year by Marc Michaud of Necronomicon Press. If you look at the NP logo, you will see that they have a black cat in a circle, facing forward, and sitting against a white background.

“My cat in a circle is white, facing backward, and walking away against a black background.

“I began using the logo with Lest We Forget: August Derleth on the Subject of H. P. Lovecraft (Hesperia Special Issue No. 6), published by Battered Silicon Dispatch Box in 2009.

“Only, I laid down the grease pencil when I began my association with The Cimmerian Press.”

Out of all the obscure limited editions Haefele has done (and that have been reported to date), Lest We Forget is the only one I don’t have — or I’d have made the acquaintance of the insouciant logo long ago.

My copy of Addenda 2 is hand-numbered as number 5 of 10 printed. Translation: you’ll never see a copy.

Collectors can take comfort in the changeover of imprints, because you might have a chance to get the original booklet and Addenda 1 which are both Cimmerian Library. Stop there, and be happy. But — some wise advice — don’t hold your breath while you’re tracking those down.

Of his saucy logo parading boldly around Esoteric Order of Dagon country, Haefele says, “I don’t think any of the big brains fully got the joke.”

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Mort: William F. Nolan

A few days after the fact, word drifted in that William F. Nolan died, age 93, on July 15. I scanned some of the obits, all rightly selecting the science fiction novel Logan’s Run as the book of all his books with which he’ll be identified.

One movie, and you’ve got a cult — remember the Logan’s Runners who used to tear wildly down the hallways at sf conventions in the mid-70s?

But on These Mean Streets Nolan deserves notice for the Hammett connection. His Dashiell Hammett: A Casebook (1969) was the first full-length book on the writer — sure, almost every date was wrong, and the critiques of the work frozen in that 1950s/60s mindset. But it was the book on Hammett that fans wanted to read at the time, and it’s still fun to prowl through — a pal of mine was giving it another read the other day.

When John’s Grill went over to overt Maltese Falcon themes in 1976, Nolan and ex-Pinkerton’s man Jack Kaplan helped set up the Dashiell Hammett Society. I believe they had two meetings, about a year apart, before the energy waned with the death of Kaplan.

I always tell people that John’s Grill is the Society, usually hauling out the name when doing fundraisers for charities and so on. And at some point, pre-pandemic, as the Hammett tour stood in front of John’s, a plump amiable old guy came out the doors and told us he was presiding over meetings of the Society. Obviously he didn’t know who I was, but if you can cut yourself in on a gig, why not? No idea how long that incarnation lasted — or if they ever had a meeting.

With Hammett: A Life at the Edge in 1983 Nolan took another swing, a full biography. Of all the bios that came out in that era (and they were a glut on the market), I’ve said that Nolan’s no doubt is the easiest to read, if you’ve only got time for one.

As part of the publicity tour for Life at the Edge Nolan spoke before The Maltese Falcon Society in San Francisco. That Society lasted for five years, from the first meeting on May 20, 1981 (now forty years ago!) to the last on Hammett’s 92nd birthday, May 27, 1986. I got to hang out with Nolan for a couple of days, which was fun. His publisher had him installed in the St. Francis and we had a little party (nothing to compare with the Fatty Arbuckle bash).

I got a few of his books inscribed at the time, and of his other hard-boiled material my fave is the anthology The Black Mask Boys from 1985. And as it happened both Nolan and I were hitting the pages of Firsts: The Book Collector’s Magazine in the 2000s, sometimes side-by-side. Currently I have out the October 2002 issue with my article and checklist of classic era Arkham House ephemera, prepping for a book-length expansion to be co-authored with John D. Haefele — in that issue Nolan appears with “Collecting Howard Browne.” I met Browne once, too.

I didn’t cross paths with Nolan again until PulpFest, July 30-August 1, 2010, where he was a Guest of Honor. I didn’t want to take up too much of his time — he was swamped with people — but thought I should say hello. And I wanted to ask him about the status of another bio he’d reportedly done, A Man Called Dash: The Life and Times of Samuel Dashiell Hammett.

Vague rumors about that book had reached my ears. Supposed to be under contract with Knopf. But when Nolan turned in a 900 page manuscript they balked. Too many pages. (Publisher Vince Emery once told me, But 300 of the pages are Notes! Notes. Yeah, right. A page is a page.) Anyway, from what I was hearing it sounded as if it was dead.

So I asked what the status was, and Nolan seemed to think it was still in the works. Currently on his Wiki page a tentative release date has it coming from Knopf in 2015. That’s six years ago now, but who knows?

A last word on Hammett from Bill Nolan might still roll out someday.

And at 93, he certainly had a good run.

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