
Stuff to see and do on the island of Malta. The stuff that dreams are made of!
Nathaniel Mills pops in a few pics to amuse his fellow travelers going Up and Down These Mean Streets.





Stuff to see and do on the island of Malta. The stuff that dreams are made of!
Nathaniel Mills pops in a few pics to amuse his fellow travelers going Up and Down These Mean Streets.





Nathaniel Mills came out on the walk about a month ago, and it sounded as if putting the gumshoes to the mean streets of San Francisco was part of some double-whammy plan.
He’d already hit the island of Malta.
And on the island of Malta he picked up a Black Bird statuette — apparently they’re a popular item. (In fact, you may remember Kevin Cook reporting on his trip to Malta a couple of years ago, in which he disdained the statues — but Kevin is picky as hell, as we all know.)
Nathaniel sounded as if he was pretty happy with his dingus. If you get one or another of the various imitation statues churned out over the years, a fake of a fake, I’m thinking it would be cool to look at it and know you nabbed it on Malta.

Autograph Hound Super-Sunday — what signature could Brian Leno possibly offer on the altar of Movie Titans Past for the John Hancock Ritual?
Especially after his tour de force rollout yesterday.
I think he’s got it covered. Here’s Brian:
Nobody will ever get through a night of Halloween movies without seeing at least one featuring Boris Karloff.
No one has ever done the Frankenstein Monster as well as Karloff, and I doubt anybody ever will.
It would be crazy to try to list all the great flicks Karloff was in — if you have seen Boris, you know, if you haven’t, well it’s time to turn off the crap that passes for scary movies today and start watching the real stuff.
Boris isn’t cheap, as a penciled notation shows on the autographed slip of paper.


And Brian Leno rings the knell on today’s Autograph Hound Saturday:
We can’t have Halloween without some mention of Dracula and that brings us to an often overlooked horror movie.
Gloria Holden, best known for Dracula’s Daughter (1936), is a tough signature to locate, even though she lived to the age of 87.
Viewed by modern audiences Dracula’s Daughter perhaps comes off as a bit stiff and old fashioned but I enjoy it and during this time of year try to see it at least once. It’s a worthy addition to the Universal Pictures series of monster movies.
The card of Holden’s has the signing date on the back: 2–16–82.


In preparation for Halloween, Brian Leno needs to get in the mood by showcasing some signatures from his vault:
The signed card of Beverly Garland being mishandled in The Alligator People (1959) is a real keeper for me.
I remember watching this movie at a drive-in theater and loved the hell out of it.
Bruce Bennett and Lon Chaney were co-stars and I have fond memories of Chaney holding up a hook where his hand had once been, spitting out “Gators did this to me!”
Years ago I wrote Garland and asked for an autograph, and she was gracious enough to send back three or four signed items. Beautiful and a class act, hard to find combination.
Aha! I warned uber fanzine guy Bill Breiding that if he messed up any bits in an article on Sword-and-Sorcery writer David Mason (Kavin’s World, etc.) I sent in for his new zine Portable Storage Two that I’d correct on the trusty blog.
If he wants he can correct it on his end as more copies get ordered, then anyone who has the repudiated version can claim it’s a marker of an early state — that’s how we do “first edition” stuff in the POD realm. I guess.
Here’s the textual change that didn’t get made:
In 2016 a guy showed up for one of the first Hammett Tours of the spring—one of the guys who track down the odd and eccentric and interesting writers I slipped into Literary World of San Francisco. Brian Doohan—you wouldn’t have heard of him—and David Mason are two of those names that come up most often.
He told me that he was a fan of the guide book, using it to track down things he might want to read. And he told me he had just read Devil’s Food.
I told Bill: “in bit above I double-up the ‘track down’ wording (see, nothing like writing something the last day), so change to”:
In 2016 a guy showed up for one of the first Hammett Tours of the spring—one of the guys who track down the odd and eccentric and interesting writers I slipped into Literary World of San Francisco. Brian Doohan—you wouldn’t have heard of him—and David Mason are two of those names that come up most often. He told me he had just read Devil’s Food.
I was knocking it out on the due date, as I usually do things, so I accept a full share of any blame. It’s not as if we’re talking The Gettysburg Address — but you’ll agree the revamp is smoother.
The article deals with my decades-long quest to track down the David Mason porno novel Devil’s Food, set in San Francisco. One of my off trail books about books pieces, kind of in-line with the stuff I used to do in Firsts.
The zine itself (you can sample the first pages) deals with the usual variety of general zine concerns, pushing the idea that POD opens up wide vistas for Pubbing Your Ish. Music. Books. Mimeo. Everybody dying.
And in the letters column I tell Bill he sounded like an egghead in Portable Storage One.
His rebuttal?
With only a fifth grade education I’ve never even remotely thought of myself as an egghead. Existentially, it’s as improbable for me not to acutely examine the processes of fanzine publishing as it was for Bill Bowers!
Sounds like an egghead, right?

And to wrap up this auto weekend — to give you yet another holograph sample to consider in your meditations — here’s the earliest inscription I personally got from Kent Harrington, during a signing for his second novel in Kayo Books on Post Street. Pretty sure that was the first time I met him.
Kent’s signing was on Friday December 5 1997, from 5:00 to 7:00 p.m.
I had a signing the next day, from 4:00 to 6:00, for my book Willeford.
Both titles were published by Dennis McMillan, in his Opus Two return to the book biz after a hiatus following Opus One.


Cordelia Willis, who tipped Kent Harrington — both pictured above — off to some crime lab info for Last Ferry Home, joined in on the food and talk in Street, September 21.
What was the ridiculous description I noticed recently in an academic journal? “Polyvocal discourse unfolding in a diversity of ways.” Yeah, sure, that’s what we were doing.
As stories were swapped, Kent mentioned that in fact he does get a little nervous if he notices lots of people waiting in a signing line — he doesn’t like keeping them on hold too long.
And he also told us about the first time he was slotted for a signing at a Bouchercon, the World Mystery Convention. No one knew who he was, no one came to stand in his theoretical line.
But he was seated next to “a ninety-year-old lady who wrote cat mysteries” and her line must have numbered four hundred people. Kent says she was very nice to him, and told him, “It’ll get better.”
Cordelia — daughter of science fiction writer Connie Willis — took up the theme. She’s known George R. R. Martin from since she was a kid, he’s part of her mom’s circle of friends. You may have seen GRRM when he clambered up on stage at the recent Emmy Awards with the Game of Thrones crew.
Long years before Game of Thrones made his bones, GRRM was at some science fiction convention, same scenario as Kent. He was starting out, kind of unknown, and they seated him next to Douglas Adams of Hitchhiker’s Guide to the Galaxy fame, who was known.
No one was in Martin’s line.
The Doug Adams line stretched across the hall, out the door, and a few blocks down the street.
Some well-intentioned but clewless convention worker took up an electronic bullhorn and went outside, walking down the blocks and yelling, “No line for George R. R. Martin!”
Nobody budged from the Hitchhiker queue.

Image above: Kent Harrington (with Lynn behind the bar) in one of my favorite restaurants, Street on Polk, on Saturday September 21.
We got there as soon as the doors opened and had the place to ourselves for a few minutes, as it gradually began to fill up, get noisier — the Street experience. Great food, by the way.
Even though he’s a San Francisco native, Kent hadn’t been there before (so many restaurants, so little time, right?), so it seemed like a good rendezvous point.
After I read a proof copy of Last Ferry Home, I tipped Kent off to a few arcane points of information about San Francisco streets, so he had a copy of the hardback for me, to say Thanks. (In book collecting mode, I of course think that any serious Kent collector needs to have the ARC in addition to the final release, since they have somewhat alternate texts.)
At the bottom you’ll see part of Kent’s inscription in the copy (I’m cutting out the mushy stuff), which he says he did at home, in his office, at his desk — the most perfect possible conditions.
I’m no Kevin Cook, sensitive to every curve of the pen, but I can’t tell much difference between this signature and every other signature I’ve gotten from Kent over the years. But know that this records the most recent Kent siggie featured this weekend. Penned less than two weeks ago.
