Category Archives: Frisco

Rediscovered: Solar Pons

Dove back into one of my favorite hobbies recently, when I landed a ten item trove of Arkham House ephemera. Ordered them mostly blind, though I had the sense that an item I needed might possibly be in the lot. … Continue reading →

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Tour: Sunday February 28

Shot above — I assemble the tour group for a gander at the Geary Theatre, where Joel Cairo had tix to see a play in The Maltese Falcon. With the brutal rains of winter pounding down, I’ve been doing only select … Continue reading →

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Rediscovered: The Life of Donald Sidney-Fryer

Mere months after putting the wraps to Hobgoblin Apollo, Donald Sidney-Fryer has placed his autobio with Hippocampus Press and they’re offering it at half-off — I think that is the presale price.  The sample cover is an early draft version, … Continue reading →

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Rediscovered: Xmas Noir

Got a note from the Jersey Noir photog Mark Krajnak — he appreciated my comparison of his cover for the new Race Williams omnibus to Alan Ladd, somehow summoning that sort of evocative iconography. That’s what happens with art, if you … Continue reading →

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Frisco Beat: Tenderloin is the Night

Figuring I could kill a couple of birds with one speaking appearance, I told Bill Arney (left) and Mark Murphy (center) — a former and a current inhabitant of 891 Post Street — about the talk in the Tenderloin Museum, where … Continue reading →

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Sinister Cinema: Voice of Noir

How about a few more pics from the gig in the Tenderloin Museum? I was supposed to talk for 30 or 40 minutes about Hammett living in the TL, the 1941 film of The Maltese Falcon and so forth — … Continue reading →

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Frisco Beat: Reeling in the History

Did a couple of groups by appointment yesterday, got lucky with the brutal winter rains holding off. . . . On one of them the mysterious CitySleuth came along and tossed in some tidbits of film/Frisco history — one was … Continue reading →

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Hammett: That White-Hot Burst in 1925

Image at top: holding down a table at the Mechanics’ Library talk while Nathan Ward merrily signs a copy of his new bio of Hammett. Image at bottom: before we start the proceedings (clew: my wine glass is loaded) we gear … Continue reading →

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Tombstone: Phil Geauque

Image above: another shot from the Mechanics’ signing, Nathan Ward inscribing a copy of his Hammett bio while I look on; standing to left, Vince Emery in blue, John Law — of The Suicide Club, Cacophony Society, primal Burning Man, … Continue reading →

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Sinister Cinema: The Black Bird Flaps Back to the Old Hood

Tuesday October 27 The Maltese Falcon returns to the hood where it was imagined, plotted and pounded into life on the typewriter keys by none other than longtime Tenderloin resident Dashiell Hammett — the 1941 film version with Bogie, of … Continue reading →

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