Rediscovered: More Burnham

Autograph Hound Super-Sunday and the intrepid John Hancock Hunter Brian Leno drops in a note to say, “I know I’ve written about Burnham on your blog but I don’t think I ever showed you his signature.

“This book he inscribed to a son of Henry Fairfield Osborn, a noted paleontologist and the author of a few books. Men of the Old Stone Age is one of them.

“Evidently at the tallest redwood there is a plaque with Osborn’s name and two others on it. At least so Burnham writes.

“If it’s still there I don’t know. After all the fires I don’t even know if the redwoods are still there.

“Burnham was a tough son of a bitch.”

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Rediscovered: 19 Minutes with Fafhrd and the Mouser, and Fritz

Over on The Pulp.Net I just gave Bill Lampkin the okay to put up an article I did back in 2014 for his zine The Pulpster — a good one, if I say so myself (hell, even definitive), on the creation of the Sword-and-Sorcery characters Fafhrd and the Gray Mouser by Fritz Leiber (and Harry Otto Fischer).

Bill has one of those new-fangled estimated time counts to read it in, at 19 minutes. Come on. Doesn’t anyone stop to think Deep Thoughts when going through something like this piece any more?

The only point of information to note is that Bill steadfastly employs “sword-and-sorcery” — lower case S’s — when referring to that genre created by Robert E. Howard.

And that was the usage when Fritz Leiber initially coined the term.

But back in the days when Leo Grin’s The Cimmerian ruled the Howardian roost, we decided to standardize the usage as Sword-and-Sorcery, capping those S’s.

Showier.

Makes for a better visual transition to the short form S&S.

I told Bill he could do as he liked, but expect me to correct it whenever the article appears in a collected essays.

Now, whenever you have 19 minutes to spare. . . .

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Hammett: Top Ten

ABEbooks just released a list of their top money-makers for 2021 and Hammett comes in at no. 10 — not with a first edition, but with a much later reprint of The Maltese Falcon inscribed to Bebe Daniels.

Bebe played the femme fatale in the original 1931 flick.

The great Dwight Frye, if you recall, essayed the role of the gunsel Wilmer Cook, a character based on Hammett’s run-in with the Midget Bandit while working out of Pinkerton’s San Francisco offices.

$25,000. A nice haul for a marked-up old book.

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Frisco Beat: Robert Barbour Johnson

Autograph Hound Super-Sunday once more, and our maniacal John Hancock-collecting pal Brian Leno hauls out a new acquisition. If I remember right, he told me he’s been looking for a Robert Barbour Johnson for decades, but if the signature did come on the market he missed it.

Until now. A copy of The Magic Park from 1940 (if not the first, certainly one of the earliest histories of Golden Gate Park) surfaced, for only $35. I thought the price was ridiculously low, but then some previous owner stuck glued words on the spine, which kind of goops up the collectability.

The main angle Brian wanted was the siggie, though, and he sprang on it. “Inscribed, business card with initials, and then signed. Lord knows the money was right. I know RBJ isn’t the most collected author but I always wanted the guy that wrote ‘Far Below’ and now I got him.”

“Far Below” is one of the most famous yarns published in the pulp pages of Weird Tales, but Johnson — resident of San Francisco for many years — also wrote a string of circus stories for the prestigious pulp Blue Book. Among other Johnsonian activities.

I cover him in the history and guidebook The Literary World of San Francisco. Over the years, people have mentioned to me that they think Johnson is one of the most interesting figures I touch on. If you ever find a copy of that book, I believe you’ll agree.

I’ve got a signed The Magic Park, plus a long inscription by RBJ in a book of science fiction tales. You can’t tell from Brian’s pic, but the boards are green with gold stamping on the front. No lettering of any kind on the spine.

Brian tells me, “The business card is nice but it’s been glued to the book. From what I can see by straining my eyes all that was on the front was Robert Barbour Johnson.”

If you have trouble with RBJ’s scrawl, the card reads:

“Just wanted you to have one of the new book. Will drop in some other day. R.B.J.”

So now at last Brian joins me in the RBJ collecting club. But don’t think this haul will slow down his roll.

“I got Oliver Reed coming next week,” he says. “There was a guy that knew how to party.”

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Hammett: Another “Dead Yellow Women” (Heavily Illustrated)

Today Evan Lewis uncovers yet another newsprint serialization of an Op yarn, beginning November 29, 1942 in the Albuquerque Journal — almost 79 years ago exactly. 

The yarn in question is the excellent “Dead Yellow Women” from Black Mask, November 1925 — 96 years ago.

I’m continually amazed by the number of these newspaper reprints that have turned up. How many more?

Seriously, will it be dozens — even dozens of reprints for individual Op adventures?

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Rediscovered: On Library Shelves. . .

Got a note and a couple of pics from Tom Krabacher, academic, to let me know that “Great Tales has arrived in the academy!” 

If not earlier in other venues, John D. Haefele’s recent and monumental tome Lovecraft: The Great Tales muscles in and gets some library markings. Cool.

“It’s now,” Tom reports, “officially on the shelves and part of the California State University holdings. (And therefore available to scholars nationwide.)” 

Seen in this context, it kind of puts some of those other dinky little books on HPL into perspective, doesn’t it?

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Rediscovered: Dictum Morgmanius

Morgan “The Morgman” Holmes just noticed that I invoked his famous dictum on Art in my review of the George Sterling caveman book the other day:

Any work of art is made better by the inclusion of cavemen and dinosaurs.

He sent in this correction:

The Holmes Rule of Art is specifically: No work of art that cannot be enhanced with the addition of barbarians or dinosaurs — preferably both.

I was thinking, sure, different wording but the meaning is the same. . . .

Then I noticed.

Oops.

He wants dinosaurs and barbarians.

Not cavemen.

Me, I like the caveman angle better, but it is Morgan’s dictum, so let the record stand corrected.

Kind of too bad that George Sterling didn’t keep at the fiction, work his way into the burgeoning pulp marketplace, and incorporate some barbarians and dinosaurs into the action — like Robert E. Howard.

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Rediscovered: Steinbeck, Classical Puzzle Mystery Writer

Brian Wallace pops in a link to a long article from the Los Angeles Review of Books covering a crime novel — with werewolves, kind of — John Steinbeck wrote at the start of his career.

It was 1930 and Steinbeck was writing this stuff, while Hammett was publishing The Maltese Falcon.

I think good old Steinbeck was lucky he couldn’t sell Murder at Full Moon, else you can more easily see the scenario by which he might have become just another Ellery Queen type instead of the author of Of Mice and Men (and company).

Some writers, of course, have gone slumming into knock-off crime novels without ruining their careers — I think of Gore Vidal with his mysteries written as by “Edgar Box.”

And it’s always interesting to see alternative courses various writers might have taken — I was just mentioning the other day that the San Francisco poet George Sterling probably could have swung a solid Tarzan imitation.

Hey, you never know, but it’s fun to get these sneak peeks into the What Might Have Been.

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Hammett: Yet Another “Clew”

For those keeping track, Evan Lewis has uncovered from the newsprint of yesteryear yet another reprint of Hammett’s Op yarn “The Tenth Clew” — this one from the Deseret News in 1942.

Plus he’s added a couple more installments to his coverage of the blurbs Frederick Dannay gave Hammett stories as they appeared in Ellery Queen Mystery Magazine. You can hunt them down on his blog between the inaugural post and the new coverage of “Clew.” And there ought to be more to come.

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Rediscovered: FrankenHammer

To keep Autograph Hound Super-Sunday going, Halloween-style, how about a glance at a formal display from Brian Leno’s extensive collection of John Hancocks?

A couple of days ago Brian informed me: “Got up this morning and figured today would be the day I start listing, for my own benefit, all my signatures.

“Got to about 100 and sanity struck home — pure lunacy to even attempt.

“Just too many, Don. I would be writing for days — as Walter Brennan used to say, No brag, just fact.

Here’s Brian:

For me, Halloween is not Halloween without Hammer Horror, as in Peter Cushing, Christopher Lee and Hazel Court from The Curse of Frankenstein.

I was watching Frankenstein Must be Destroyed a couple of nights ago and at one point Cushing pulls out a surgical saw and starts taking someone’s skull off to get at the brain.

Hilarious. You can hear the saw blade grating on the bone. I’m pretty sure Leatherface got a few pointers from the good doctor.

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